Being that this entry in the ongoing putrification of the Internet known as the HoB will be rather pointed, I'll try and be brief -- which means that if I were writing for a printed periodical, I'd be out of a job and collecting empty soda cans.
First and foremost, I came across a Thomas Jane film entitled "Give 'Em Hell Malone" -- which also features Ving Rhames and Elsa Pataky. Many of you know Thomas Jane from the HBO Series "Hung," and many others of you might know him from films like "The Punisher" and/or "61*." Many -- no, all -- of you will not have seen him in perhaps his best film, "Thursday," in which he stars alongside Aaron Eckhart and Paulina Porizkova. That's unfortunate -- but what's even more unfortunate is that anyone felt the need -- or that it was appropriate -- to green-light "Give 'Em Hell Malone." How anyone would allow this two-hour pile of shit to be committed to film without following it up with firing squads for the writer, director and producer(s) is beyond me.
In a word, dogshit. Complete and utter dogshit.
Now on to more rosy pastures.
Apparently, one of the more admirable people in the film business, Kevin Smith (Mallrats, Clerks, Dogma, and the forthcoming Cop Out) had a rough weekend. The other day, he boarded a flight leaving from Oakland to LA (or the other way around) on Southwest Airlines and was the victim of an incident. Apparently, the captain -- a pilot -- of the plane, prior to takeoff, left the cockpit and advised Mr. Smith that he was too fat to fly.
Again: they deemed him a safety risk because he was too heavy to fly.
Never mind that all the previous Southwest staff -- check-in people, flight attendants, baggage people -- didn't find him too heavy to fly, nor was there any problem for him to fly on his prior (Southwest) flight. But apparently he was forced to leave the plane.
Now -- coincidentally -- I posted a photo of Mr. Smith earlier last week speaking at the MacWorld Expo in San Fran, and observed that he was really ballooning. Based on the photo, I'd have to assume he was close to 300 pounds. However, despite the fact that I believe he's gained a lot of weight -- most likely due to his increasing, self-professed enjoyment of marijuana, apparently -- I can't believe an airline actually deemed him worthy of humiliation and ridicule by forcing him off a flight.
The details of the incident are sketchy -- google "Kevin Smith Southwest" for more details -- but it seems that he was comfortably ensconced in his seats (he can fit in one but purchases two for privacy) and wearing a seat belt (without an extender) when Captain Shitbird decided to have him removed. I can respect an airline that is responsible and treats its customers well (cough cough Virgin America cough cough) but what I know of Southwest is that they make decisions that are ridiculous and repulsive. The last time I read something incredibly ridiculous about SouthWest was when they decided a young girl's outfit included a skirt that was apparently too mini for their tastes and advised her she would either have to put a blanket over herself for the entire flight or leave the aircraft.
Far be it from me to lecture a corporation on its strategy, but if treating your customers like shit is in your mantra and/or corporate lexicon, you're doing something wrong. Two other entities -- Blockbuster and Dominos Pizza -- make these types of value judgments about what their customers want and/or to which they are entitled, and both of those companies are just as shitty as SouthWest. Blockbuster -- like Walmart, another crappy corporate entity -- makes value judgments about which movies it will carry (or only carry certain types of films), and behold and lo, Blockbuster is going out of business (not immediately...they're on life support). Dominos Pizza's founder began speaking out about abortion and value judgments, and aside from the fact their pizza is more cardboard than quality, I will not patronize them ever again, and I hope they too hit the skids.
But SouthWest just picked on the wrong fat dude. Kevin Smith has so many fans and such a huge fan base -- on Twitter and at the View Askewniverse (his self-themed forum) -- that the next month will not be spent on PR for his soon-to-be released film Cop Out but in its place how shitty SouthWest is and why they should be boycotted.
I don't care how many "bags fly free" ads they run, any company that decides to judge people on their outfit or their weight doesn't have any place in my America. I'm not sure why or how they came to be this condescending, holier-than-thou source of all that's right (or wrong, your perspective) in America, but I know that I will never -- ever -- patronize them.
In an age where media and communication and information has real, tangible, power, SouthWest just picked on the wrong porcine passenger, and they should -- and will -- pay the price. Whether they survive this incident merely with a 20% drop in revenue or whether this begins their final descent is anyone's guess; but I know that any entity which deems it necessary and appropriate to pull this shit -- especially with someone whose opinions are broadcast to millions of people -- does not deserve to be in business, and while I appreciate the sensibility that this asshat pilot felt he was just doing his job, I can assure you that he, and every other self-aggrandizing imbecile that works for that shithole, should literally and figuratively go down with the ship.
Being that Mr. Smith has since been a non-stop tweet machine about this incident -- entitling many of his tweets and podcasts "F*ck Southwest Air," the irony in and of this particular incident is that the captain's concern that Mr. Smith's weight might bring down a plane will -- hopefully -- and ultimately -- result in the entire airline figuratively slamming into the ground.
Soon.
______
Personal note to Kevin: still waiting on that $20 from Affleck. Hope you hung in there and didn't take this incident too-too personally, and while I hope you do jettison some extra baggage, I hope it's not simply this repulsive example of corporate dimensia gone awry that's its impetus.
And finally, Virgin America rocks, even if Branson is one or two bottles short of a case.
Sunday, February 14, 2010
Monday, February 08, 2010
The Non-Storm of the Year
It was interesting watching last night's Super Bowl; seeing the Saints wring out a victory after a slow start was, frankly, a non-event. But the biggest non-event this weekend without a doubt was the huge snowstorm the NYC area failed to receive.
Back to the lesser non-event, last night's Saints-Colts Super Bowl from Miami. I'd been invited to a few different Super Bowl parties but had so much work prep to address before Monday I declined each invitation. The truth, however, is that I had very little interest in the game itself. I had my work finished late yesterday afternoon so it wasn't a matter of working deep into the night, but I had so little interest in the game itself that I couldn't really justify going anywhere -- given the weather -- to watch 100% of a game in which I had 0% interest.
True, Super Bowl parties rarely are really about the actual game, they're social events, and I'm not anti-social. However, on frigid Sundays with work looming, I tend to be somewhat anti-social. So pfffffffffffft.
Meanwhile, speaking of the Super Bowl, there were five actual moments that, to me, were memorable.
The first was watching "The Who" perform. Roger Daltrey and Pete Townshend are in their mid-60's and, despite the fact their band, The Who, started as a statement about how youth was mistreated in the middle 1960's in London, their music is still great. And while they've lost more than a step and look like grandfathers -- and despite the absence of their long-since-departed bandmates Keith Moon and John Entwhistle -- it was a lot of fun watching them blast away for a little while between halves. Nevermind that Pete Townshend's windmill kept getting derailed by an errant jacket or that neither of them were quite able to recreate the tunes they penned forty years ago; it was fun, entertaining and a non-controversial, enjoyable interlude to a to-that-point boring game.
The second moment of interest was the Doritos commercial in which a dog in the park removed his own "bark control" collar and strapped it on a man sitting on a bench teasing him with Doritos. Not only was it a funny ad, but it was nice to see -- yet again -- animals outsmarting humans. Considering this nation's innate stupidity, I really enjoyed this ad. And no, I don't want any of your Doritos.
Woof.
The third moment of interest was the quickie ad featuring David Letterman complaining that "this is the worst Super Bowl party ever." Then the camera pans out to show Oprah trying to console him. Then the camera pans out further to a seated Jay Leno who says "He's just saying that because I'm here."
Especially given all that's happened over at NBC the last few months with Conan, Jay Leno and the barbs fired between Leno, Letterman and O'Brien, seeing Jay Leno and Oprah on CBS shilling for The Late Show was, in a word, bizarre. Funnyish and memorable, for sure, but bizarre, absolutely.
The fourth moment of interest was the Porter interception of Peyton Manning. Seeing him return the catch for a touchdown to put the Saints up -- at that point -- 22-17 -- was really memorable because the bigger the stage, the more unlikely it is Peyton Manning screws up. The Saints did a great job counteracting Indy's offense, and while credit is due the Saints as a team, that really speaks to Sean Payton's abilities as a coach. So that really pleased me, as he deserved it in a big, big way.
The fifth and final moment of the Super Bowl was the incomplete fourth-and-goal pass that sealed it.
Depending on your perspective, that could either be interpreted as a pessimistic, critical "Wow, so you remembered two plays from an hour-long, internationally-televised four-hour broadcast." However, all things being equal, it says a lot about a well-played, well-officiated, even match-up between two strong teams that I was still watching with less than five minutes to go.
So -- again -- pfffffffffffft.
And finally, and most significantly, thanks to the entire meteorological community which predicted we'd be on the receiving end of a huge snowstorm from Friday night into Saturday evening. Luckily, I was set to see my cousin and his wife for dinner Saturday night, and we discussed canceling but opted to play it by ear. We would have been pretty tweaked had we canceled only to see there was absolutely no snow whatsoever. So kudos to Scott and Maddy, and a big "go shit in your hat" to all the imbeciles who made us believe we were going to be eskimoes this weekend.
Put another way, thirty years ago I could forgive these morons for their complete ineptitude. But now that they have technology and can track a flea's fart 10,000 miles away, I'm not really clear as to why these shitheads can't figure out when a citywide swath of snow is going to hit NYC. I'm not exactly sure why they can't figure it out, but the more they predict we entrench for the Big One, the more I'm likely to suggest they're all full of shit and plan a beach picnic.
So a final -- and most emphatic -- pffffffffffffffffffffft to anyone who wears a cartoon sun pin on their lapel whilst doing a bullshit 11:27PM weather broadcast. And further, may the fleas of 1,000 camels infest on your crotch.
Happy winter, and congrats to my NOLA peeps; enjoy it now, because the Aints will go 4-12 next year ;-)
-B-
Back to the lesser non-event, last night's Saints-Colts Super Bowl from Miami. I'd been invited to a few different Super Bowl parties but had so much work prep to address before Monday I declined each invitation. The truth, however, is that I had very little interest in the game itself. I had my work finished late yesterday afternoon so it wasn't a matter of working deep into the night, but I had so little interest in the game itself that I couldn't really justify going anywhere -- given the weather -- to watch 100% of a game in which I had 0% interest.
True, Super Bowl parties rarely are really about the actual game, they're social events, and I'm not anti-social. However, on frigid Sundays with work looming, I tend to be somewhat anti-social. So pfffffffffffft.
Meanwhile, speaking of the Super Bowl, there were five actual moments that, to me, were memorable.
The first was watching "The Who" perform. Roger Daltrey and Pete Townshend are in their mid-60's and, despite the fact their band, The Who, started as a statement about how youth was mistreated in the middle 1960's in London, their music is still great. And while they've lost more than a step and look like grandfathers -- and despite the absence of their long-since-departed bandmates Keith Moon and John Entwhistle -- it was a lot of fun watching them blast away for a little while between halves. Nevermind that Pete Townshend's windmill kept getting derailed by an errant jacket or that neither of them were quite able to recreate the tunes they penned forty years ago; it was fun, entertaining and a non-controversial, enjoyable interlude to a to-that-point boring game.
The second moment of interest was the Doritos commercial in which a dog in the park removed his own "bark control" collar and strapped it on a man sitting on a bench teasing him with Doritos. Not only was it a funny ad, but it was nice to see -- yet again -- animals outsmarting humans. Considering this nation's innate stupidity, I really enjoyed this ad. And no, I don't want any of your Doritos.
Woof.
The third moment of interest was the quickie ad featuring David Letterman complaining that "this is the worst Super Bowl party ever." Then the camera pans out to show Oprah trying to console him. Then the camera pans out further to a seated Jay Leno who says "He's just saying that because I'm here."
Especially given all that's happened over at NBC the last few months with Conan, Jay Leno and the barbs fired between Leno, Letterman and O'Brien, seeing Jay Leno and Oprah on CBS shilling for The Late Show was, in a word, bizarre. Funnyish and memorable, for sure, but bizarre, absolutely.
The fourth moment of interest was the Porter interception of Peyton Manning. Seeing him return the catch for a touchdown to put the Saints up -- at that point -- 22-17 -- was really memorable because the bigger the stage, the more unlikely it is Peyton Manning screws up. The Saints did a great job counteracting Indy's offense, and while credit is due the Saints as a team, that really speaks to Sean Payton's abilities as a coach. So that really pleased me, as he deserved it in a big, big way.
The fifth and final moment of the Super Bowl was the incomplete fourth-and-goal pass that sealed it.
Depending on your perspective, that could either be interpreted as a pessimistic, critical "Wow, so you remembered two plays from an hour-long, internationally-televised four-hour broadcast." However, all things being equal, it says a lot about a well-played, well-officiated, even match-up between two strong teams that I was still watching with less than five minutes to go.
So -- again -- pfffffffffffft.
And finally, and most significantly, thanks to the entire meteorological community which predicted we'd be on the receiving end of a huge snowstorm from Friday night into Saturday evening. Luckily, I was set to see my cousin and his wife for dinner Saturday night, and we discussed canceling but opted to play it by ear. We would have been pretty tweaked had we canceled only to see there was absolutely no snow whatsoever. So kudos to Scott and Maddy, and a big "go shit in your hat" to all the imbeciles who made us believe we were going to be eskimoes this weekend.
Put another way, thirty years ago I could forgive these morons for their complete ineptitude. But now that they have technology and can track a flea's fart 10,000 miles away, I'm not really clear as to why these shitheads can't figure out when a citywide swath of snow is going to hit NYC. I'm not exactly sure why they can't figure it out, but the more they predict we entrench for the Big One, the more I'm likely to suggest they're all full of shit and plan a beach picnic.
So a final -- and most emphatic -- pffffffffffffffffffffft to anyone who wears a cartoon sun pin on their lapel whilst doing a bullshit 11:27PM weather broadcast. And further, may the fleas of 1,000 camels infest on your crotch.
Happy winter, and congrats to my NOLA peeps; enjoy it now, because the Aints will go 4-12 next year ;-)
-B-
Friday, January 29, 2010
Nice MaxiPad!
For the past few years -- even before the first iPhones hit the street -- Apple's cult of followers has ravenously devoured every bit of news and rumor regarding new products like flies on shit. PC users are relatively restrained over new hardware because their allegiance follows a methodology rather than one single brand, so there's never a lack of new products forthcoming. However, the opposite end of the PC-Mac spectrum is that, with respect to the PC camp, there are a lot of lousy products to the few really incredible ones, so there's very little circling of the wagons when something hits the street because it's not hotly-discussed on every blog spanning the techno-globe.
I respect both sides of these diverging paths, as I spent many years being an Apple devotee before I finally left the cult and found the non-Jesus, aka the Pentium. Consequently, I'll never knock Apple's products -- however, I'll also be brutally honest in suggesting that they're well-designed, far too overpriced, far too limited and rely too heavily on hype and the science of the cult to be seriously considered.
Having said all that, the new iPad -- which has everyone buzzing from any two world coasts one can find on a map -- is indeed a huge disappointment for those among us who believe in free thought. For real Apple loyalists, it's the second coming...not of Jesus, but the iPhone. So what if it doesn't have a camera, the ability to multi-task or flash? Most Apple loyalists will find a way to happily excuse these omissions, quite capably.
So what if they deleted a USB connector and went with a 4:3 (non-16:9) screen?
The answer to all these omissions: so what, people will buy it.
This is, for me, the core of why I would and will never buy another Apple "computing device." I have an iPod (a Touch, specifically) and for what it does, it's great. It plays music, it plays movies, and has a half-dozen useful applications. Most of them are games, and one application is a sound-soother I use every night. In the morning, I use the Touch's built-in alarm (with that nuclear warning "alarm" sound) in tandem with an iPod-compatible Sony clock Kaia got me to bring me from a deep slumber to up 'n ready for Defcon 2 in a matter of seconds.
The problem is that Apple's products -- while creatively designed -- are designed to have a specific lifespan before they're replaced by something a bit better and a bit more capable. Put another way, they fall under the umbrella of built-in obsolescence.
Anyone who disputes that should first consider how many of Apple's products they've purchased and then, two years later, subsequently replaced, either because the battery needed to be replaced, or because the new model had so much more impressive features, or because the standard -- which is also set by Apple -- had changed so drastically that replacing was the only option.
And let's also keep in mind that all technology dies; when companies coordinate that death around new products and schedule rather than forecast it, it's part of the design, not the product strategy. Hence my disinterest in owning anything of significance made by Apple.
Back to the iPad -- and we'll ignore the criticism of the name (personally, knowing they hit a home run with an iPod makes the iPad moniker sensible). Although I must admit that people have now come to refer to the 64GB model of the iPad as the MaxiPad. Love that to a point beyond which words can't describe.
In short, the device -- like many of Apple's products -- is designed for Apple, and people either worship it, have no interest in it, or hate it. Apple's strategy is, quite simply, designed to provoke an emotion, and the reason why the iPad is in serious trouble is, frankly, most people don't seem to give much of a shit. It seems like a nifty little device; that description, however, was what most people used to describe the Newton.
I believe most people who wind up buying this device will be first required to memorize -- prior to purchasing -- the litany of excuses and explanations inherent in most Apple apologists' lexicons (a good collection of same can be found here). Sure, the device doesn't have USB, but it's not supposed to be an actual PC, it's only supposed to do this. Sure it doesn't have a camera, everyone has a cell-phone with a camera, why would I want to be bothered having a camera in this device too? Sure, it doesn't have Flash; who cares, eventually flash will be a thing of the past. Sure, it doesn't have HDMI or HD capability, it's not a portable movie player.
The answer is Apple, in its closed-loop marketing strategy, is -- frankly -- insulting those on-the-fence people -- those who are neither Apple fanboys nor people who hate Apple -- by intimating that Apple will decide what features we need and make us go elsewhere for those that they omit. By omitting a camera and banning Skype from their device, Apple has essentially tried to control the mobile market rather than opening it up. By eliminating flash, Apple has let us know it doesn't care about whether flash is viable or not, and that we as users should avoid sites with flash. And by non-conforming to the worldwide mini-micro USB connector, Apple is insuring users will have to pay them an extra $35 for a power cable that would normally cost, oh, about $8 at any Radio Shack.
Put simply, when you have to make excuses before you buy something, that in and of itself tells you that you're a fool to even consider buying said product in the first place.
But -- admittedly -- I am considering buying it. Not because it's innovative, not because it's the cool new thing, or worth the money; it's none of those.
I just can't wait for the day, hopefully soon, when I can announce to a small group of clients and/or business professionals, "Excuse me while remove my MaxiPad and plug it in."
I respect both sides of these diverging paths, as I spent many years being an Apple devotee before I finally left the cult and found the non-Jesus, aka the Pentium. Consequently, I'll never knock Apple's products -- however, I'll also be brutally honest in suggesting that they're well-designed, far too overpriced, far too limited and rely too heavily on hype and the science of the cult to be seriously considered.
Having said all that, the new iPad -- which has everyone buzzing from any two world coasts one can find on a map -- is indeed a huge disappointment for those among us who believe in free thought. For real Apple loyalists, it's the second coming...not of Jesus, but the iPhone. So what if it doesn't have a camera, the ability to multi-task or flash? Most Apple loyalists will find a way to happily excuse these omissions, quite capably.
So what if they deleted a USB connector and went with a 4:3 (non-16:9) screen?
The answer to all these omissions: so what, people will buy it.
This is, for me, the core of why I would and will never buy another Apple "computing device." I have an iPod (a Touch, specifically) and for what it does, it's great. It plays music, it plays movies, and has a half-dozen useful applications. Most of them are games, and one application is a sound-soother I use every night. In the morning, I use the Touch's built-in alarm (with that nuclear warning "alarm" sound) in tandem with an iPod-compatible Sony clock Kaia got me to bring me from a deep slumber to up 'n ready for Defcon 2 in a matter of seconds.
The problem is that Apple's products -- while creatively designed -- are designed to have a specific lifespan before they're replaced by something a bit better and a bit more capable. Put another way, they fall under the umbrella of built-in obsolescence.
Anyone who disputes that should first consider how many of Apple's products they've purchased and then, two years later, subsequently replaced, either because the battery needed to be replaced, or because the new model had so much more impressive features, or because the standard -- which is also set by Apple -- had changed so drastically that replacing was the only option.
And let's also keep in mind that all technology dies; when companies coordinate that death around new products and schedule rather than forecast it, it's part of the design, not the product strategy. Hence my disinterest in owning anything of significance made by Apple.
Back to the iPad -- and we'll ignore the criticism of the name (personally, knowing they hit a home run with an iPod makes the iPad moniker sensible). Although I must admit that people have now come to refer to the 64GB model of the iPad as the MaxiPad. Love that to a point beyond which words can't describe.
In short, the device -- like many of Apple's products -- is designed for Apple, and people either worship it, have no interest in it, or hate it. Apple's strategy is, quite simply, designed to provoke an emotion, and the reason why the iPad is in serious trouble is, frankly, most people don't seem to give much of a shit. It seems like a nifty little device; that description, however, was what most people used to describe the Newton.
I believe most people who wind up buying this device will be first required to memorize -- prior to purchasing -- the litany of excuses and explanations inherent in most Apple apologists' lexicons (a good collection of same can be found here). Sure, the device doesn't have USB, but it's not supposed to be an actual PC, it's only supposed to do this. Sure it doesn't have a camera, everyone has a cell-phone with a camera, why would I want to be bothered having a camera in this device too? Sure, it doesn't have Flash; who cares, eventually flash will be a thing of the past. Sure, it doesn't have HDMI or HD capability, it's not a portable movie player.
The answer is Apple, in its closed-loop marketing strategy, is -- frankly -- insulting those on-the-fence people -- those who are neither Apple fanboys nor people who hate Apple -- by intimating that Apple will decide what features we need and make us go elsewhere for those that they omit. By omitting a camera and banning Skype from their device, Apple has essentially tried to control the mobile market rather than opening it up. By eliminating flash, Apple has let us know it doesn't care about whether flash is viable or not, and that we as users should avoid sites with flash. And by non-conforming to the worldwide mini-micro USB connector, Apple is insuring users will have to pay them an extra $35 for a power cable that would normally cost, oh, about $8 at any Radio Shack.
Put simply, when you have to make excuses before you buy something, that in and of itself tells you that you're a fool to even consider buying said product in the first place.
But -- admittedly -- I am considering buying it. Not because it's innovative, not because it's the cool new thing, or worth the money; it's none of those.
I just can't wait for the day, hopefully soon, when I can announce to a small group of clients and/or business professionals, "Excuse me while remove my MaxiPad and plug it in."
Wednesday, January 20, 2010
The Hurt Locker
Intention is rarely the appropriate substitute for action, but being that I've been just barely surviving the last week or so, I'd been meaning to kick back and relax and watch Kathryn Bigelow's new film about an American elite bomb squad in Baghdad entitled "The Hurt Locker." Despite my initial impressions prior to viewing, and the subsequent buzz the film has received, I didn't have much in the way of expectation going in other than anticipating I'd enjoy it. I'm not sure if it fulfilled that expectation, although I must admit it will be quite some time before -- if ever -- I forget this two-plus-hour first-person visit into war-torn Baghdad.
I won't be delving into the key plot points as there are few thereof and doing so would ruin the visceral experience the film provides. Suffice to say that this film's intent is to allow the viewer a glimpse into a month or two in the life of a unit that is sent out to find and disarm Iraqi IED's (improvised explosive devices) that have claimed so many American soldiers since the US landed in Iraq. Part of the film's intensity, certainly, stems from the fact that bomb diffusal in its very definition is tense, dangerous work. Clip the wrong wire and you'll wind up in hundreds of pieces, as will your colleagues and, likely, any civilians within 100 yards. Add in the element of extreme heat, the weight of anti-explosive gear, the language barrier, fatigue, and being surrounded -- and watched -- by people who may be friends or foes, and the element of tension is ratcheted up tenfold. And while I laud Bigelow's directorial style, the real credit goes to her decision to simply record the action rather than comment on it; the action in this film needs no directorial tweaking or embellishment a la Tarantino or Scorcese. She is able to say everything about the events of this film without really saying anything at all. Put another way, the film succeeds because the inherent intensity is in what's happening, not how it's filmed, and many directors seem to not be able to get out of their own way. Bigelow, in this particular film, didn't have that problem, and the film succeeds as a result.
Beyond the sheer tension and frankness of what the viewer experiences, part of the reason this film succeeds so easily is its soundtrack. I viewed this film in BluRay format, and, for the most part, the picture stays clear. There are parts of the film that are hazy, grainy, dark and/or out of focus -- all in keeping with what's happening with James, Sanborn and Eldridge, the three main characters -- but the sonic landscape of this film is immense and startling. The explosions are front and center and will shake you loose from a comfortable sitting position should your system allow it. Watching this film without a solid sound system will definitely detract from the experience, but it's certainly not a key ingredient to absorbing the entire experience.
While this film, overall, depicts the life of a mobile bomb squad in Baghdad, a large aspect of the film is not simply about portraying the day-to-day activities thereof but to demonstrate how the lives of these men are affected as a result. The three actors -- Jeremy Renner, Anthony Mackie and Brian Geraghty -- who portray, respectively, James, Sanborn and Eldridge, are excellent in their frank performances. I found myself wondering what I would do in certain situations depicted in the film -- both in combat and out -- and I give credit to these three guys in their ability to seamlessly allow the viewer what feels like an authentic glimpse into something that's actually happening.
In a nutshell, the story, the performances and the dark, intense visceral starkness of the film's pace is not only commended but memorable, haunting and top-notch.
Incidentally, I would urge anyone interested in seeing this film to avoid anything disclosing the cast or any details about it prior to viewing. I can't say I "enjoyed" this film, because it was and remains as frank, dark and disturbing a film about modern war as there may be, including Full Metal Jacket, but a large part of this film's success lies in the not knowing what's beyond the next hill, the next corner or the next half-mile of highway.
Put yet another way, anyone who has an opinion on America's role in Iraq should find a way to see this film, as graphic and disturbing as it is.
And for Kathryn Bigelow -- whose last big project was "Point Break" -- I can only say I'm impressed and am glad I got an opportunity to see this film.
I won't be delving into the key plot points as there are few thereof and doing so would ruin the visceral experience the film provides. Suffice to say that this film's intent is to allow the viewer a glimpse into a month or two in the life of a unit that is sent out to find and disarm Iraqi IED's (improvised explosive devices) that have claimed so many American soldiers since the US landed in Iraq. Part of the film's intensity, certainly, stems from the fact that bomb diffusal in its very definition is tense, dangerous work. Clip the wrong wire and you'll wind up in hundreds of pieces, as will your colleagues and, likely, any civilians within 100 yards. Add in the element of extreme heat, the weight of anti-explosive gear, the language barrier, fatigue, and being surrounded -- and watched -- by people who may be friends or foes, and the element of tension is ratcheted up tenfold. And while I laud Bigelow's directorial style, the real credit goes to her decision to simply record the action rather than comment on it; the action in this film needs no directorial tweaking or embellishment a la Tarantino or Scorcese. She is able to say everything about the events of this film without really saying anything at all. Put another way, the film succeeds because the inherent intensity is in what's happening, not how it's filmed, and many directors seem to not be able to get out of their own way. Bigelow, in this particular film, didn't have that problem, and the film succeeds as a result.
Beyond the sheer tension and frankness of what the viewer experiences, part of the reason this film succeeds so easily is its soundtrack. I viewed this film in BluRay format, and, for the most part, the picture stays clear. There are parts of the film that are hazy, grainy, dark and/or out of focus -- all in keeping with what's happening with James, Sanborn and Eldridge, the three main characters -- but the sonic landscape of this film is immense and startling. The explosions are front and center and will shake you loose from a comfortable sitting position should your system allow it. Watching this film without a solid sound system will definitely detract from the experience, but it's certainly not a key ingredient to absorbing the entire experience.
While this film, overall, depicts the life of a mobile bomb squad in Baghdad, a large aspect of the film is not simply about portraying the day-to-day activities thereof but to demonstrate how the lives of these men are affected as a result. The three actors -- Jeremy Renner, Anthony Mackie and Brian Geraghty -- who portray, respectively, James, Sanborn and Eldridge, are excellent in their frank performances. I found myself wondering what I would do in certain situations depicted in the film -- both in combat and out -- and I give credit to these three guys in their ability to seamlessly allow the viewer what feels like an authentic glimpse into something that's actually happening.
In a nutshell, the story, the performances and the dark, intense visceral starkness of the film's pace is not only commended but memorable, haunting and top-notch.
Incidentally, I would urge anyone interested in seeing this film to avoid anything disclosing the cast or any details about it prior to viewing. I can't say I "enjoyed" this film, because it was and remains as frank, dark and disturbing a film about modern war as there may be, including Full Metal Jacket, but a large part of this film's success lies in the not knowing what's beyond the next hill, the next corner or the next half-mile of highway.
Put yet another way, anyone who has an opinion on America's role in Iraq should find a way to see this film, as graphic and disturbing as it is.
And for Kathryn Bigelow -- whose last big project was "Point Break" -- I can only say I'm impressed and am glad I got an opportunity to see this film.
Wednesday, January 13, 2010
The Venom and The Cure
Inevitably, some adolescent boy -- say, 13 or 14 years old -- who's been watching baseball since he was young and playing it since he could hold a bat, watched over the past 24 hours as Mark McGwire came out of the closet and admitted he had used performance-enhancing drugs (aka steroids) while he was a professional baseball player.
And in yesterday's admission that surprised no one -- despite all the press coverage thereof -- I'd imagine the aforementioned kid seeing McGwire's confession as hollow, empty and more than 90% bullshit.
For those of us who are human -- and that accounts for everyone that doesn't get paid to model, play a professional sport or attend red-carpet-preceded gala events -- seeing this sort of thing gets mighty old mighty quick.
When Mark McGwire and Sammy Sosa were tag-teaming the soon-to-fall single-season home run record over the summer of 1998, I think most baseball fans were mesmerized. Both of these guys seemed like good, normal people -- in direct contrast to the later success of Barry Bonds -- and they achieved great things for the game of baseball. I remember seeing McGwire's record-breaking home run clear left field and being almost in awe, akin -- almost -- to seeing the Rangers' Stanley Cup-winning endeavor in Game 7 in 1994.
Unlike that Ranger Cup victory, the McGwire-Sosa achievements of 1998 were a sham.
Years later, in 2005, when Big Mac was called to testify before Congress regarding performance-enhancing drugs, he didn't deny using same while he was a player; he just refused to answer any questions, declining to "discuss the past."
It was clear what his denial signified: he had taken steroids.
Yet he never admitted doing same, until yesterday. What's sad is that we don't know if he admitted same now because he wanted consideration for the Hall of Fame or acceptance regarding his newly-awarded Batting Instructor title with the Cardinals.
Yesterday's admission, for me, didn't really clarify anything or answer any questions I'd had -- I'd long ago realized Big Mac had been cheating when he broke Roger Maris's single-season record -- and what really was disappointing was the fact he claimed steroids didn't help him hit home runs. Of course, that's not true: taking steroids allowed his body to recover from injuries that might have curtailed or ended his career, and allowed his body to bounce back day to day. But why should we quibble or nitpick now that a cheater's come out of the closet?
I was a big fan of Mark's as he made a run towards the record, and despite the fact that he's a cheater and a liar, I really enjoyed seeing he and Sammy Sosa (another would-be juicer) make the run for the record.
I just wish they would have been satisfied with their best, instead of cheating in order to appear to be the best.
And I hope their cheating doesn't inspire legions of kids to copy their actions on the field; for some strange reason, what players do on the field seems to have much more significance than what they say or how they apologize off the field.
Guess we'll know in 15 or so years from now. That is, if we still want to know...
And in yesterday's admission that surprised no one -- despite all the press coverage thereof -- I'd imagine the aforementioned kid seeing McGwire's confession as hollow, empty and more than 90% bullshit.
For those of us who are human -- and that accounts for everyone that doesn't get paid to model, play a professional sport or attend red-carpet-preceded gala events -- seeing this sort of thing gets mighty old mighty quick.
When Mark McGwire and Sammy Sosa were tag-teaming the soon-to-fall single-season home run record over the summer of 1998, I think most baseball fans were mesmerized. Both of these guys seemed like good, normal people -- in direct contrast to the later success of Barry Bonds -- and they achieved great things for the game of baseball. I remember seeing McGwire's record-breaking home run clear left field and being almost in awe, akin -- almost -- to seeing the Rangers' Stanley Cup-winning endeavor in Game 7 in 1994.
Unlike that Ranger Cup victory, the McGwire-Sosa achievements of 1998 were a sham.
Years later, in 2005, when Big Mac was called to testify before Congress regarding performance-enhancing drugs, he didn't deny using same while he was a player; he just refused to answer any questions, declining to "discuss the past."
It was clear what his denial signified: he had taken steroids.
Yet he never admitted doing same, until yesterday. What's sad is that we don't know if he admitted same now because he wanted consideration for the Hall of Fame or acceptance regarding his newly-awarded Batting Instructor title with the Cardinals.
Yesterday's admission, for me, didn't really clarify anything or answer any questions I'd had -- I'd long ago realized Big Mac had been cheating when he broke Roger Maris's single-season record -- and what really was disappointing was the fact he claimed steroids didn't help him hit home runs. Of course, that's not true: taking steroids allowed his body to recover from injuries that might have curtailed or ended his career, and allowed his body to bounce back day to day. But why should we quibble or nitpick now that a cheater's come out of the closet?
I was a big fan of Mark's as he made a run towards the record, and despite the fact that he's a cheater and a liar, I really enjoyed seeing he and Sammy Sosa (another would-be juicer) make the run for the record.
I just wish they would have been satisfied with their best, instead of cheating in order to appear to be the best.
And I hope their cheating doesn't inspire legions of kids to copy their actions on the field; for some strange reason, what players do on the field seems to have much more significance than what they say or how they apologize off the field.
Guess we'll know in 15 or so years from now. That is, if we still want to know...
Monday, January 04, 2010
The Year of The Non-Enema...Hopefully
Being an eternal optimist does have its privileges, but it also – definitely – has some drawbacks as well. My intention was to spend a bit more time here, the HoB, in 2009, as well as the forthcoming year, but since that didn’t work out at the tail end of the year, I’m hoping to make up for it in this coming year. Whether or not I come through on it is relatively irrelevant; the intention is there, and it’s the thought that counts.
Okay, I’m calling bullshit on myself. But that’s neither here nor there.
Invariably, regardless of what I get done, there are always seemingly some loose ends that need tying up, so perhaps a recap of the past ten or so days is deserved and warranted – or at least one of those.
Post-Christmas, Kaia came in as both of us had some down time from work and we figured we could use some in-person time together. I wound up heading to the office – despite being off – for a couple days in the pre-New Year’s week; the truth is I could have just as easily gone in every day, as I haven’t had an actual week-long respite from work in so long I forgot what it feels like being off of work.
Be that as it may, I had a nice week being off and being with Kaia. We basically did very little above and beyond seeing and spending time with friends, watching the variety of movies I’ve amassed over the past several months (500 Days of Summer, I Love You, Man and Inglourious Basterds) and enjoying the snow despite the otherwise abusively cold weather.
We had a few mini-gatherings at my place with friends, just chilled out, and enjoyed the holiday.
And now it’s back to work.
In retrospect, despite the week off preceding Thanksgiving, I think it’s clear that the reason why I’ve avoided taking any time off is because the day I inevitably return to the office undos all the good I’ve done with any time off, so it all seems to cancel itself out and be something other than worthwhile. I’m not complaining, of course; but certainly, the first Monday back from a nice, juicy vacation is about as exciting as a crushed-ice enema and a barium milkshake.
Whether that characterization applies to you, the reader, is a non-issue; even more importantly, I don’t need to be apprised as to whether it does or does not apply to you. Thanks in advance for observing this policy ;-)
Happy new year, happy 2010, and I hope that this is a happy, safe, healthy and wonderful new year for you, your friends and your family near and far!
And may it be one without any enemas or chalky milkshakes of any kind, for any of us ;-)
-B-
Okay, I’m calling bullshit on myself. But that’s neither here nor there.
Invariably, regardless of what I get done, there are always seemingly some loose ends that need tying up, so perhaps a recap of the past ten or so days is deserved and warranted – or at least one of those.
Post-Christmas, Kaia came in as both of us had some down time from work and we figured we could use some in-person time together. I wound up heading to the office – despite being off – for a couple days in the pre-New Year’s week; the truth is I could have just as easily gone in every day, as I haven’t had an actual week-long respite from work in so long I forgot what it feels like being off of work.
Be that as it may, I had a nice week being off and being with Kaia. We basically did very little above and beyond seeing and spending time with friends, watching the variety of movies I’ve amassed over the past several months (500 Days of Summer, I Love You, Man and Inglourious Basterds) and enjoying the snow despite the otherwise abusively cold weather.
We had a few mini-gatherings at my place with friends, just chilled out, and enjoyed the holiday.
And now it’s back to work.
In retrospect, despite the week off preceding Thanksgiving, I think it’s clear that the reason why I’ve avoided taking any time off is because the day I inevitably return to the office undos all the good I’ve done with any time off, so it all seems to cancel itself out and be something other than worthwhile. I’m not complaining, of course; but certainly, the first Monday back from a nice, juicy vacation is about as exciting as a crushed-ice enema and a barium milkshake.
Whether that characterization applies to you, the reader, is a non-issue; even more importantly, I don’t need to be apprised as to whether it does or does not apply to you. Thanks in advance for observing this policy ;-)
Happy new year, happy 2010, and I hope that this is a happy, safe, healthy and wonderful new year for you, your friends and your family near and far!
And may it be one without any enemas or chalky milkshakes of any kind, for any of us ;-)
-B-
Subscribe to:
Posts (Atom)